Digital Anamorphic/Super 35mm Hybrid (6K AXS-R7)(8K Redcode RAW): Filmed with the Sony CineAlta Venice and Red Ranger Monstro equipped with Todd-AO Anamorphic Primes, Hawk Class-X Anamorphic Primes, 45mm Hawk V-Lite Anamorphic Prime, Leitz M0.8 Spherical Primes, Bausch & Lomb Super Baltar Primes, Arri Swing Shift Primes, Petzval MKII 55mm Prime and 14mm Sigma Prime, shot by Newton Thomas Sigel ASC

Hawk class-X 2x squeeze Anamorphic Primes and Zooms have an iconic look for Super35 format. MiniHawk primes are lightweight, compact, anamorphically hybrid, oval bokeh Super35 format lenses. Hawk65 Anamorphic 1.3x squeeze Primes fill Large Format and 65mm frames. Cinematographers can comfortably and consistently mix and match these latest sets.

Sehr schönes Musikvideo der Benefizaktion des BR - Bayerischer Rundfunk, die STERNSTUNDEN - Wir helfen Kindern, von Inmotion, gedreht mit Hawk V-Lite Vintage'74. Tolle Aktion!

Hawk V-Lite anamorpHics – Squeeze Vantage introduces a new motion picture film format As a part of its steady commitment to the film industry, Vantage developed a new squeezing ratio for its range of Hawk Anamorphics: Hawk Anamorphic 1.3x Squeeze. Ten new primes are available: Hawk V-Lite 1.3x 20 mm/t2.2 Hawk V-Lite 1.3x 24 mm/t2.2

The Vintage ’74 Hawk V-Lites are a revised version of the original Hawk V-Lite Lenses. The ‘74’s feature a vintage coating style that greatly accentuates the anamorphic effects and flares of the lenses, making them perform more like vintage anamorphics from an older era. The housings of the V-Lite 74’s are functionally identical to the

Posted July 1. The only caveat is that Open Gate is larger than some 35mm format lenses are designed to cover. Even cropping the sides for a 1.85 extraction you would need an image circle of around 33.4mm diameter. The official V-Lite 1.3x sensor coverage is smaller than this, but I think most of the focal lengths should cover. The V-Series Hawk lenses were produced by Vantage in the early 2000’s. They are an evolution of the C-Series and exhibit some similar aesthetic properties as the C-Series lenses, although the V-Series are larger and their housings are more highly engineered with internal focusing mechanisms. The V-Series are a perfect option for those trying Hawk V-Lite Vantage, the German-based company, has been making these stellar modern anamorphic lenses since 2001. Specifically designed to have no shift in T-stop while focusing, these 8 anamorphic focal lengths are lightweight and consistent with increased definition, increased contrast, and feature an accurate, nicely spaced focus scale which The movie Hell or High Water, released in 2016 and directed by David Mackenzie, was shot on digital using ARRI ALEXA XT Studio Camera and Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses with Giles Nuttgens as cinematographer and editing by Jake Roberts. Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil ^{Lenses: Hawk V-Lite 2x Anamorphic . Dir. & DoP: Sean Price Williams . Format: Super 16mm film Camera: Aaton Lenses: Vintage lenses, Zeiss MK1 primes, completely decalibrated Canon 8-64 zoom.} Hawk V-Plus 1.3x Squeeze Front Anamorphic Zooms. Hawk 1.3x Anamorphic Lenses are used for viewing a 2.40:1 aspect ratio image from a 16:9 original. By squeezing 1.30x, the image fills almost the the entire sensor area of a 16:9 digital camera or 3-perf film camera. By the way, you can also use 1.3x Anamorphics on a 4:3 negative or sensor and

Kollmorgen-Kosaka 2X Anamorphic Lens KA298 w/SnapLite Series II BX-163 Vintage. $224.98. Was: $299.97. $19.65 shipping.

FOR SALE!! USED HAWK C ANAMORPHIC SET OF 5 LENSES 35MM, 50MM, 75MM, 100MM, 135MM PRICE: USD$156,500 VISIT US FOR MORE AT WWW.FJSINTERNATIONAL.COM .